Saturday, June 22, 2013

Workshop with a Master

I was lucky enough to get to attend a workshop this morning with Patrick Gracewood, a noted sculptor, dancer, gardener, and teacher in Portland. The workshop was on how to site sculpture in a garden, both to show off the sculpture most effectively, and to enhance the garden, particularly by solving problems.

Sculpture arrangement at Gracewood Studio
This arrangement is the first sculpture you see as you enter his garden at the end of a long walkway. It demonstrates how to use sculpture to lead your eyes through a garden, to make you look and move in one direction, or from one place to the next. It also shows how you can combine permanent (as in, heavy and hard to move) sculptures and supports with temporary elements such as this beautiful braided wreath and fresh alstroemeria flower stems.

One of the other demonstrations was how to use a screen to make a feature stand out from the background and focus attention on it. The feature could be anything that has meaning for you—in this case, a beautiful bonsai.

Bonsai Acer circinatum
This large Miscanthus grass makes a great textured background for a special display, but sadly, this bonsai dwarf vine maple doesn't work with it because the texture and level of detail are so similar.

Patrick (right) and friend Tait with teak screen 
However, this oriental-style screen which Patrick made out of scrapped pieces of teak that were to be thrown away both frames the feature and makes a beautiful background for it, with the added benefit of the shadow play of the little tree on the wood.

You can see more about Patrick at www.GracewoodStudio.com, and if you ever have a chance to visit and see his incredible sculptures up close, I humbly suggest that you drop what you're doing and GO. His presentation was unusually interesting and gave me a lot to think about in my own garden. He talked about using sculptures in layouts specifically to make you sit down in your garden and just be in it.

One of the principles he mentioned was the concept of sacred time, or kairos (greek), as opposed to chronos, measured (chronological) time. A garden isn't just decorative, it's profoundly functional in that it can pull you out of the hurry and bustle of your "real" life and make you slow down to the speed of nature, which is much, much slower—like the speed of deep, relaxed breathing.

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